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Things become worse when Pauly falls in love with Sukumaran Nair's daughter Aswathy(Bhavana). They have been enemies from a very long time. Sukumaran Nair a member of the opposition party, tries to disrupt whatever Pauly does. A politician by profession, he does many helpful activities for the benefit of poor people in the village. Pauly(Kunchako Boban) belongs to a well off family in a rural village of Kerala. K N M & Percy Pictures distributed the film. The film stars kunchacko boban and bhavana in the lead roles The music of the film was arranged by Gopi Sunder.
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Kalyanism full movie, Watch Kalyanism full movie download, Watch Kalyanism full movie Malayalam, Watch Kalyanism full movie free, Watch Kalyanism full movie hd. Watch Malayalam Full Length Movie : AngelsAngels is a 2014 Indian Malayalam social thriller film and the directorial debut of Jean Markose.
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16 – Every Detail Counts (2017) HDRip Telugu Full Movie Watch Online Free Crying Wolf (2016) WEBRip Full Movie Watch Online Free. Latest malayalam movies full movie video, watch latest malayalam movies full movie latest videos,latest malayalam movies full movie online videos, play latest. Polytechnic is a Malayalam comedy entertainer film directed by M Padmakumar. You have to take their word for it, for talent is the last word you’d associate with this numbing movie, which thinks fat jokes with a trumpet on the soundtrack are still funny.Malayalam full movie 2. Even recycling, apparently, takes talent. This attitude is reflected in the Vaaren vaaren song, where a line goes: Aracha maava arachaalum adhukku venum oru thiramai. It says: Keep showing Sivakarthikeyan in every scene and the audience won’t care. This is writing not just of convenience, but of contempt. So when Seemaraja comes, like a Disney prince, to rescue her, she says she cannot leave – but a few scenes later, she does exactly that. She’s the daughter of the villain, who locks her up, threatening that her sisters and the people who raised her will die if she runs off with Seemaraja. Even the love story between Seemaraja (Sivakarthikeyan) and Selvi takes a serious turn. (Another Thevar Magan touch?) But her job could have been Helper of Schoolchildren Across Roads, and nothing would have been different.Ĭomedies work best when the story is basic, leaving room for gags to blossom and breathe. Ponram tries to make Selvi interesting by making her a silambam teacher. (The name is Selvi, thankfully, and not, say, Yaazhmeetti or some such thing.). Everything she does seems to be a variation of “ vootla sollittu vandhiya?” In her presence, Samantha, in generic-heroine mode, is a pale shadow. (What is it with these powerful women? Are they always doomed to names like Kaleeswari and Neelambari? Isn’t there a vamp somewhere named Anita or Kala?) The role, strictly speaking, is redundant – Lal, who plays Kaleeswari’s husband, does all the shouting and scheming. The most interesting bits have to do with Simran, who plays Kaleeswari. (What is it with these powerful women? Are they always doomed to names like Kaleeswari and Neelambari?) (“ Thamizhan nilam Thamizhanukke.” Translation: Our land shall remain ours, and not be sold to north Indian, Sterlite-type companies.) The running time of her scenes is less than some of the jewellery ads we see in theatres, during intermission.) Another subplot revolves around farmers’ issues, with a dash of Tamil valourisation. (Keerthy Suresh guest-stars in this episode. Then, we get a fourteenth-century flashback, about a king who battled Alauddin Khilji’s forces.
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Another story thread has to do with a girl and the father who abandoned her (who’s now come to reclaim her). There’s one that has to do with warring villages, with a piece of disputed land that brings to mind the plot of Thevar Magan – though I was actually reminded of that film by a later scene where a well-respected patriarch dies after being humiliated, and his son steps into his shoes. After a few scenes, they vanish, too.Īnd we’re stuck with several serious subplots.
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Nothing lasts in Seemaraja, written and directed by Ponram. Two Australians show up – and vanish almost at once. Soori has some fun one-liners, but they vanish soon. “Naan Kadavul” Rajendran turns up as a wrestling coach. Manobala turns up as the headmaster of a local school. This kind of an absurd touch can really liven up a movie. I sat up when an old man is revealed as “Thotti” Thatha because he breaks flowerpots when mad. Oh, the jokes (or at least, the attempts at them) are still there.
In a recent interview to Film Companion, Sivakarthikeyan said, “Humour-driven films can be good cinema, and I don’t subscribe to the view that good cinema has to be serious.” Ironically, the star’s new film, Seemaraja, is his most serious yet.